Tuesday, 18 February 2014
Monday, 17 February 2014
Creating my silhouette
My chosen silhouette was largely influenced by
creating different textures and bringing them together to show a lot of shape.
I worked on a doll’s head that’d been previously crimped, already advancing in
texture.
Products & Equipment:
-
Brush set
-
Hair
grips & sectioning grips
-
Small barrel
curling tongs
-
Hair
straighteners
-
Heat
defence spray
-
Hairspray
Method:
·
Separate
the top and side parts of the hair, working first of all, on the back
·
Take a
small section of hair
·
Wind it
tightly in a figure of 8 around a wavy hairpin
·
Secure
this by sliding a hairgrip vertically down the centre of the wavy pin
·
Heat under
hair straighteners and then leave to cool
·
Release
from the hair grip and then tease the styled hair to create frizz
·
Repeat
this on different parts of the hair
·
Include
curls too, created by small barrel curlers
·
Tease and
backcomb the back section of the hair and secure the texture created with
hairspray
·
Brush the
sides of the hair back and grip behind the ears
·
Working on
the front portion, backcomb the hair and then style it into a barrel curl on
top of the head
·
Secure
this with hairspray before using a decorative flower, sitting it in the barrel
curl
Evaluation:
I am pleased with this silhouette and I really love the detailing in the shape created from the texture. I still feel it lacks the tradition of a Victorian hairstyle. To make it adhere to the era more, I would bring the front portion of the hair forward to resemble the generic style from my Victorian hair research.
I am pleased with this silhouette and I really love the detailing in the shape created from the texture. I still feel it lacks the tradition of a Victorian hairstyle. To make it adhere to the era more, I would bring the front portion of the hair forward to resemble the generic style from my Victorian hair research.
Saturday, 15 February 2014
Victorian Hairstyle
Using the
marvellous research tool that is Pinterest, I collected a series of images
related to hair under the key words, ‘romantic’, ‘cruel’ and ‘eccentric’. It
was really interesting to learn which styles represented each term and how the
differentiated in the means of shape, texture and colour.
In my next practical
session, I was instructed to create a Victorian hairstyle using padding and
previously taught techniques on a doll’s head. This look also had to include
elements from any of the hair images I’d collected.
To create
this, I experimented with padding the front and side sections and used small
barrel curlers to create tight ringlets to frame the face. On the back of the
head I experimented with the additional texture of small twists in a linear
formation.
Labels:
19th century,
hairstyle,
victorian
Illnesses of the 1800s
Great Expectations is set in an era that
was plagued with poor environmental conditions and few medical breakthroughs. Wide
spread diseases were a huge issue in the 1800s, often causing illnesses on
epidemic proportions.
A lot of the diseases of the 19th
century affected children. Chicken pox and Diphtheria, both contagious child
hood diseases, would cause fever-like symptoms and weakness. Poliomyelitis would
often leave children with temporary paralysis that only bed rest could cure.
Small pox was a wide spread disease that,
though it affected all ages, was particularly fatal to young children. It would
cause blister-like bumps on the skin and inside the mouth and throat. If the
throat swelled, the infected would have difficulty breathing.
Cholera was also a disease present in the
19th century, caused by the consumption of contaminated water. If
you contracted cholera, you’d eventually die; the skin would shrink and turn
blue too.
The highly contagious Consumption or ‘Tuberculosis’
was a common cause of death throughout the century which caused body tissue to
waste away.
![]() |
| A 'CHOLERA' notice displayed in New York City in 1832 |
Labels:
19th century,
illness
Friday, 14 February 2014
19th Century Illness'
Products & Equipment:
·
Glycerine
·
Pipettes
& bottles
·
Eye drops
(individual files)
·
Supra
colour palette
·
Duo &
Latex
·
Kryolan
tear stick
Method:
1.
Be aware
of the illness that the actor is portraying and the visual symptoms of this
illness
2.
If you
have to create a fever, the skin will be blotchy as the blood vessels are near
the surface of the skin
3.
To
create a fever:
- mix red and a little blue from your supra colour palette with a little moisturiser
- use your fingers to pat onto fever prone areas such as inner cheek
- be careful it doesn’t resemble rouge but it motley coloured
- redden the edges of the ears
- continue the rash down the body
- make the lips look slightly darker
- apply duo to stretched lips with a slight build up in the corner to resemble a sore patch, rough this up when it has dried
- mix red and a little blue from your supra colour palette with a little moisturiser
- use your fingers to pat onto fever prone areas such as inner cheek
- be careful it doesn’t resemble rouge but it motley coloured
- redden the edges of the ears
- continue the rash down the body
- make the lips look slightly darker
- apply duo to stretched lips with a slight build up in the corner to resemble a sore patch, rough this up when it has dried
4.
To create
tiredness:
- mix yellow, red and green colours from your supra palette to create brown
- use a fine brush to work around the eye area
- darken the sockets using stippling motions and blend away the edges with your finger
- mix yellow, red and green colours from your supra palette to create brown
- use a fine brush to work around the eye area
- darken the sockets using stippling motions and blend away the edges with your finger
5.
To create
dry skin:
- layer up latex with a sponge and rough up whilst it dries
- to dry fully, use a hairdryer on a low heat until it’s clear
- powder over the top
- dab a little blood over the lips to create a broken effect
- make a cold sore look inflamed with red supra colour on a cotton bud
- layer up latex with a sponge and rough up whilst it dries
- to dry fully, use a hairdryer on a low heat until it’s clear
- powder over the top
- dab a little blood over the lips to create a broken effect
- make a cold sore look inflamed with red supra colour on a cotton bud
6.
To create
sweat:
- pour glycerine into a palette and absorb into a stipple sponge
- blot this over the face to create sweat
- use a water spray to dampen the hairline
- pour glycerine into a palette and absorb into a stipple sponge
- blot this over the face to create sweat
- use a water spray to dampen the hairline
-
To create
tears:
- use a pipette to deposit glycerine tears under the eyes and in the corner
- use eye drops to create tears in the eyes
- use a pipette to deposit glycerine tears under the eyes and in the corner
- use eye drops to create tears in the eyes
NOTES:
·
Use your
fingers to apply character make up
·
Never put
glycerine in the eye
Labels:
19th century,
illness,
make up,
makeup,
technique,
theatrical
Creating cuts and scars
Products & Equipment:
·
Collodiun
by Kryloan
·
Tuplast
·
Fixerspray
·
Dermashield
·
Palette
knife
·
Brush set
Method:
1.
Collodiun
by Kryolan is a non-flexible product that can be used on the skin to create
cuts or scars
2.
Paint onto
the skin, roughly a quarter inch area
3.
Create a
dent for the cut using the edge of your palette knife
4.
Cool with
a hairdryer whilst holding in the folded position
5.
Makeup
over the top of the wound using dabbing brush strokes
6.
Tuplast is
great for old wounds and scarring
7.
Apply it
in lines and makeup over the top
8.
A similar
effect can be used with duo, using a tee pin to pick at it
9.
Fixerspray fixes grease based makeup and keeps it from
moving
1.
Dermashield
is a barrier cream that can be used on sensitive skin when you’re using
products with a high alcohol content
2.
Shake the
Dermashield before use and have the model apply it if you want it over or
around the lips
Labels:
cuts,
makeup,
scars,
theatrical
Wednesday, 12 February 2014
Miss Havisham Final Design
The way I see
Miss Havisham, she wouldn’t be too visibly aged but more preserved as the lack
of sunlight exposure would have slowed down the ageing process. Therefore, for
my final design is a combination of my first three designs with less ageing. I also wanted to focus on texture and create a makeup that has both greasy and dry qualities. For the hair
design, I opted for a lot of texture and volume to the bottom whilst maintaining
a formal, wedding-like hair style on top.
To create this look...
Products & Equipment:
·
Brush set
·
Cotton
buds & disposable mascara wands
·
Kryolan
Foundation Palette
·
Kryolan
Concealer Palette
·
NYX Light
Concealer
·
Supra
Colour Palette
·
Helen E
Loose Shimmer
·
Vaseline
Mac Red Pencil
Method:
1.
Apply a
foundation base all over, including ears & neck
2.
Contour
with a foundation colour two tones darker than the base
3.
Highlight
with NYX concealer
4.
Using D14
& D16 from concealer palette, create dark circles around the eyes using finger
to soften edges
5.
Work the
grey colour from the Supra Colour Palette into the eyebrows using a disposable
mascara wand
6.
Brush the
shimmer across the cheek bones and forehead
7.
Blend
D10,D11 & D14 of the concealer palette and apply to the lips
Dab Vaseline underneath the eye for greasy effect
Hair:
·
Back
combing brush
·
Pin tail
comb
·
Sectioning
clips
·
Hair
grips
·
Hair
spray
·
Small
barrel curling tongs
1.
Section
the top portion of the hair off from the hair line to the crown
2.
Create
figure of 8 frizzes into the bottom of the hair, secure and then hold under
hair straighteners before leaving to cool and then releasing
3.
Curl the
rest of the hair around small barrel curlers
4.
Comb out
and backcomb the hair, securing with hairspray
5.
Backcomb
the top portion of the hair and secure with grips
6.
Curl and
style loose parts of the hair around the front of the head
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